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Hack Your Muse, But Don’t Cheat Her.

June 25, 2017 by kelly mcclymer Leave a Comment

playbuzz muse quiz header

Do you have a writing muse?

Ray Bradbury has been quoted as saying, “I’m not in control of my muse. My muse does all the work.”

William S. Burroughs advised, “So cheat your landlord if you can and must, but do not try to shortchange the Muse. It cannot be done. You can’t fake quality.”

I know many writers shake their heads at the fanciful idea of a muse. They are motivated by the payment they expect for the work they produce. Some prop up bills to keep themselves writing.

That’s not me. And it is not many other writers I have had the privilege to meet along the writing path.

For me, writing requires an inner stillness. A listening for things that others cannot hear. These things are not random, though they may seem so at first. When I listen carefully, the things begin to chain together and make up a story for me to tell.

I do believe I have a muse, and that she comes when I reach that point of stillness that makes me ready to write the story of all these chained things that only I can hear. I don’t know whether the muse is intuition, insight, a gift from the gods, or a goddess in her own right. I don’t care, because I love my time with my muse and I have, over the three decades I’ve been writing, tried many things to lure her to me.

Caution: Shameless Muse Hacking Confession Ahead

I have hacked my muse shamelessly over the years, by:

  1. creating the literal stillness necessary so that I could focus only on the insights of the story
  2. creating a special ritual for entering into the writing mindset (more than one ritual as they tend to stop working at the worst possible times)
  3. rising early, before anyone else was stirring and the house was quiet enough to hear everything
  4. staying up past everyone else’s bedtimes and let the dark fold me into the story
  5. creating a special place for the writing to happen (from a spot in the corner of our living room to staking out my favorite table at Starbucks, or the library)
  6. putting on headphones to block out the insistent calls of the real world that overwhelms the delicate call of story
  7. setting timers so that I could let go of the worries of the world for just a short time, knowing that I wouldn’t disappear entirely from the world for too long
  8. tying myself to a chair with my bathrobe belt so that I couldn’t get up (I had a deadline, but my muse did not care)

I have never gotten her drunk, though the more famous writers seem to have used mind-altering substances to help them call the muse. But those writers didn’t have normal family lives, or stay married to one spouse for decades, either. I’m a wife, a mom, a granny. I don’t just want to write, I want to change the world. I can’t afford the indulgence of drunk-writing with the muse. I don’t think she minds. But sometimes I wonder. If I did… What would happen?

Beware the Difference Between Hacking and Cheating Your Muse

In all my years of hacking my muse, I noticed something important only recently — my muse stops responding when I try to cheat her. Or, more properly, try to cheat the story that only I can hear. My muse allows no shortcuts or shortsheeting  in the storytelling. I need to know why my characters do things, even if these things make no sense at all, or are not an important part of the story I think I’m telling.

My muse, on the other hand, doesn’t mind being hacked. In fact, I think she likes it when I begin a new ritual or try a new writing spot or technique. She tends to come quickly when I call her that way (rather than call her with the futile fishwife bleat of desperation that lacks all respect for the stillness).

Hacking has an element of respect built into it that cheating does not. And I respect my muse. She has brought me more stories than I’ll likely ever be able to tell in my lifetime. And still, I don’t know her as well as I’d like.

Recently, my muse revealed her name to me: Baba Yaga. Considering that I’m writing a huge fantasy series built around Baba Yaga and her home EverTwixt, you’d think that would have been obvious to me… oh, about ten years ago. But no. She didn’t reveal her name to me until I decided to play around with PlayBuzz and make a fun quiz for writers who might be interested in taking my “Hack Your Muse: Finish Your Novel in Eight Weeks” course.

What’s your muse’s name? Take the quiz and you just may find out.

 

 

If you really want to get to know your muse, try Meet Your Muse.

Filed Under: For Writers

Do You Really Want to Write a Novel

June 3, 2017 by kelly mcclymer 1 Comment

Ebook vs book. Woman sitting on chair holding traditional book and e-book reader tablet touchpad pc back view grunge background.
Ebook vs book. Woman sitting on chair holding traditional book and e-book reader tablet touchpad pc back view grunge background.

Many people, when they find out I’m a novelist, will say, “Oh I want to write a novel some day, when I find the time.”

I’ve learned that most of them mean in the same way that I mean it when I say, “I really want to learn another language.” The truth is, if I really wanted to learn another language, I’d do it. One day, I may. But right now, learning another language is not a priority for me. I never write anyone off as a future novelist. The thing about writing novels is that anyone can do it (no, it isn’t easy, it’s just that most humans response and react to story, so it calls to us like the sea, or the stars, or the mountain tops).

For some people. this call is impossible to ignore. Those people, eventually, write their novel.

You may be one of those people. If so, I want to let you know that you are not likely to find the time. If you really want to write a novel, you’ll have to make the time.

How do I know? Because I used to be someone who wanted to write a novel someday, when I found the time. I wrote lots of short stories. But I was afraid to start a novel, afraid I wouldn’t find the time to finish such an involved project. I had a job. A family. I was a part-time grad student (in English, and my thesis was to be a novel, so…duh).

I didn’t find the time to write my novel — until I made the time.

In the spirit of giving back, I used to teach an email class called “Finish Your Novel in 8 Weeks” through writersweekly.com. By that time, I’d made the time to write several novels, despite all the life distractions (school, work, children, a sabbatical that had me packing up and moving my family to Cleveland for six months…while telecommuting to my job back when telecommuting was a new thing).

I encouraged my students to do the hard work that is required to write a novel (we authors call it the Butt-in-Chair mindset). Some of my students did finish their novel draft, but most of them found it too difficult.

Recently, I decided to update the course and offer it through my website kellymcclymerbooks.com (which supports a robust Learning Management System for courses).

It was supposed to be a simple course, similar to the original course…but I don’t really do simple. Instead, I’ve created a course for people who really want to finish their novels.

Which leaves me with a big problem. I hope you can give me some advice to help solve that problem.

I need to find people who really want to finish a novel. Not people who aren’t ready to finish a novel. Remember, twenty years ago I used to be one of those people, so I’m not disparaging anyone. I get it. Life is…life. 

As I retooled the Finish Your Novel in 8 Weeks course, and made a list of things I could offer through this course that I couldn’t offer through the email course years ago, I realized that if you’re the person who is ready to take my course, you are special. You don’t just dream of writing a novel, you have characters playing in your imagination as you go about your daily life. Your characters are demanding you write your novel. You need to write your novel. But you can’t find the time in your busy life schedule.

That’s where my Finish Your Novel in 8 Weeks comes into play. It’s for writers who are ready for a make-time-to-write coach every day for 8 weeks. This isn’t a course for dabblers. This is a course for people who are willing to make the time to actually write the gloriously messy first draft of their novel. We’re not going to talk about craft, we’re going to talk about getting the words on the page. Because, ultimately, that’s how every novel gets written: word by word, sentence by sentence, paragraph by paragraph, scene by scene, chapter by chapter. Until I realized that (yes, sooooo simple) fact, I did not tackle a novel.

And now I’m ready to share it with you, but if you’re truly ready to write a novel.

The course is close to done. At least, done enough for me to put it out there to get some eager students to kick the tires of the inaugural revamped version.

I’ve been thinking about who I want for students — and how to reach those students and (gently) turn away those who are not ready for the hard work required by an 8 week commitment to get the novel they dream of writing finished.

I am going to create a quiz and some guidelines so that only those who are ready for this course take it.

So here’s my question for you? How do I help you know you’re ready to make time, not wait around to find time?

 

Filed Under: For Writers Tagged With: novel writer, the muse, writing

How to Outline Your Novel

May 18, 2017 by kelly mcclymer 1 Comment

old-2238062_640Should you outline your novel?

If you’re thinking about writing a novel, you may be asking yourself that question. Here are some things to consider as you answer that question for yourself.

First, you do not need to outline a novel to write one. I did not outline my first novel. I just wrote it as it came to me, scene by scene, chapter by chapter, for 400+ pages.

That novel will never be published.

It was a great practice novel and there are many things I love about it, but it is an undisciplined mess that taught me a great deal about how to write a novel (and how not to write a novel).

For the next 20 novels, I have used many methods to outline, and I’ve come to know what I need in an outline — something brief, story-focused, and with lots of room to grow and change.

But my novelist friends are all different. Some have outlines so detailed that a ghost writer would be able to pick up the outline and finish the book should the author vanish into thin air. Others don’t outline at all, feeling it will trap them into a story they may not want to tell.

smartphone-2198559_640What is an Outline?

Please, throw away your picture of the outlines you may have been forced to do in school. There are no roman numerals required in a novel outline. You don’t even need to break things out into chapters if you don’t want to. A good novel outline allows you to sketch out the shape of your story, so that you can relax and know you’re going somewhere during the time you’re writing.

The best way to know if you should outline — and what kind of outline you’ll want — before you write is to think about how you navigate to a new place.

  • Do you prefer a detailed map and timeline, so there are no opportunities to get lost? Then you should do a detailed outline.
  • Do you prefer a detailed map but a loose timeline that allows for interesting side trips? Then you should do a semi-detailed outline.
  • Do you prefer to head toward something interesting that’s on the way to your destination, and then head toward something else.

If you want to experiment with outlining, you are in luck. There are several excellent methods to try:

The Snowflake Method: http://www.advancedfictionwriting.com/articles/snowflake-method/

I like this one because it was designed by a physicist and my husband is a physicist, so I know how the scientist mind works. You may like the very structured approach.

From Where You Dream:

This is the approach I often use. Robert Olen Butler wrote the book From Where You Dream about his fiction creation process, which he teaches at Florida State University. It’s a fairly simple method — you take a stack of 3×5 cards and sit at your desk imagining your story scene by scene. You write down a sentence or two about each scene on a card. Then, when you have a stack of cards, you start sorting through them (adding/subtracting cards) until you have a structure you like. When you have a structure you like, you begin to write.

Writer’s Digest 30-Day Novel Outline Forms:

When I first began to write, I looked forward to going to the library to peruse the new copies of The Writer and Writer’s Digest. Now a lot of those useful articles are online. Here’s one on outlining so you can write a novel in 30 days. Browse and use what works for you.

The one caveat I have for writers and outlines: Don’t get bogged down trying to do anything that interferes with your writing time. The only thing that actually gets a novel written is writing the scenes and chapters that you’ll share with your readers. Readers don’t actually want the outline, they want the fleshed out story.

Filed Under: For Writers, Writing Tools

Elizabeth Gilbert, Your Genius, and Your Muse

May 17, 2017 by kelly mcclymer Leave a Comment

A Interesting Take on Genius and the Writing Muse

I highly recommend this TEDTalk by Elizabeth Gilbert for writers who are serious about the craft and having difficulty increasing productivity during writing sessions (or creating time to write, period). And for moms who want to nurture the best in their children and themselves.

========================

shield-2300042_640My genius

I’ve been working on some authorpreneurial ideas for a few years and this talk really spoke to me, because it allows me to elucidate a skill I’ve recently recognized in myself — recognizing the genius in others.

I like the idea that genius is something outside of us, to be caught as it comes thundering, or whispering…or whining… by. Something we have to be open to receive. Something that we can dismiss one too many times and then find it doesn’t come by as reliably as we’d like. That mirrors my experience.

Genius is All Around Us

I’ve noticed, in other people, that they just seem apt at capturing something — or the nexus of somethings — other people are not. I see it everywhere. Once, a decade ago, I noticed that the crossing guard at my children’s school was a genius at communicating with cars. She directed traffic into and out of the entrance to school like a master conductor. I never wondered if she wanted me to stop, or to turn, or to scoot through so she could stop the car behind me.

I didn’t notice her particular genius, though, until she had a substitute who was not a genius at communicating with cars. He tried, but he wielded his stop sign with clumsy arm movements that left me wondering if he wanted me to stop or go — or if he was waving away a pesky fly.

I was glad when the crossing guard genius came back from vacation. Having noticed her genius, I watched to see what it was she did that made everything so easy to understand. I didn’t understand that I was opening myself to my own particular genius by studying her practicing her genius.

I was sad when she retired. There have been competent crossing guards in her wake, but so far, not one with her particular genius at the job.

Being able to see the genius at work in others played out often when I was raising my children. My daughter is a genius at people. One of my sons at video games and all things computer. My youngest at finding lost things (the intersection of the power of observation and long term memory).

I love to notice — and nurture, if I can, — genius.

I also love to give each of my characters their own little genius to guide them — or for them to ignore. My mystery shopping mom Molly has a genius for juggling work around family. She doesn’t always listen to it, though.

What’s Your Genius?

What are you good at? Are you comfortable calling it a genius? I’d love to discuss it further with you in the comments section.

Filed Under: For Writers, Strong Women Tagged With: elizabeth gilbert, genius, TED Talk, TEDTalk, writing muse

Epub vs Mobi — Which Do You Prefer?

December 27, 2016 by kelly mcclymer 40 Comments

pretty in epub promotionI format my own books, using Vellum, so that I can make them look pretty. Unfortunately, all the pretty gets stripped out when I turn them into Kindle mobi files. Files in epub (Nook, iBooks, and Kobo) keep the pretty formatting.

My husband prefers Kindle and doesn’t miss the fancy formatting. I wondered about you, though. Do you care?

I decided to find out if you care about the pretty formatting enough to choose epub, so…

Boxedsetcover

TA DA!

…. my entire 7-book Once Upon a Wedding collection boxed set will be on sale until the end of the year for $6.99 (regularly $14.99). You can get the deal on(Nook, iBooks, and Kobo).

You can also test out the question for yourself with The Fairy Tale Bride, the first book in the series, which is free.

Let me know your preferences in the comments, please!

Wishing you a wonderful 2017,

 

Kelly

 

Filed Under: Exciting News, Fairy Tales

Victorian Curiosities Began with the Curious Victorians

September 28, 2016 by kelly mcclymer Leave a Comment

madrid-1493003_1920What were they thinking in Victorian times? Well, when you look at history, it seems like they were thinking “the sky is the limit” when it came to inventions and possibilities. A little like modern times, right? Jules Verne came up with Around the World in 80 Days and 20,000 Leagues Under the Sea during this time period.

Victorians were curious about so many things, and both Queen Victoria and Prince Albert supported the curious in areas as diverse as science, history, art, medicine, and even the supernatural.

Have you heard about the Crystal Palace? It was Prince Albert’s pride and joy back in 1851, when England decided to host The Great Exhibition and showcase the wonders of the Victorian world.

After a lot of back and forth about how much room they would need, a spot in Hyde Park was chosen and an entire (huge) building built to house the exhibits. It only took 5 months for the building to be completed, so you know they were very, very motivated (my daughter’s recent, much smaller household renovation project took about twice as long).

The exhibits of Victorian curiosities were meant to celebrate and showcase all the new wonders that technology and science were bringing to the world.

People came from around the world to look at the exhibits.

They also admired the Crystal Palace itself, which was designed by a 23 year old gardener! To be sure, he was the Duke of Devonshire’s head gardener, but he was still quite young. Not too young, though, to be passionate about building “glass houses” (what we call greenhouses today).

crystal-palace-1431488_1920Parliament decreed the Crystal Palace had to be removed from Hyde Park, and it was. But the owners moved it rather than tearing it down. I guess anyone who can build something like that in 5 months can figure out how to move it even more quickly, right?

But did you know that the work Prince Albert and the owners of the Crystal Palace began almost 200 years ago is going on still today? Check it out here.

Wouldn’t it be the coolest thing ever to create a virtual reality Crystal Palace to transport us back to Victorian times for a while? I’d do it. Would you?

Filed Under: Victoriana Tagged With: Crystal Palace, curiosity, development, innovation, invention, progress, romantic, The Great Exhibition, Victorian

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